Antitrust in 60 Seconds: What Is the Essential Facilities Doctrine in the EU?
The 60-Second Read: The essential facilities doctrine in the EU, like in the United States, is a remedy that tackles […]
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Welcome to the new look of the Disruptive Competition Project. DisCo’s redesign aims to present the content that our increasingly diverse readership is looking for in a more accessible way, and to surface relevant material more quickly. The redesign also presents site content in a more visually engaging manner, moving away from the linear feed that has defined DisCo since the site launched in 2012.
Organizationally, we have rethought everything from the ground up. Stories have been consolidated into six sections, one of which features DisCo’s coverage of EU developments. Readers interest...
The 60-Second Read: The essential facilities doctrine in the EU, like in the United States, is a remedy that tackles […]
Tomorrow the Supreme Court will hear oral argument in South Dakota v. Wayfair, Inc., Overstock.com, Inc., and Newegg, Inc., a […]
The European Commission will soon publish new rules aimed at improving law enforcement access to “digital evidence” held by online […]
Last month, Congress passed the CLOUD (“Clarifying Lawful Overseas Use of Data”) Act, legislation designed to address the complex conflict […]
During Prime Minister Turnbull’s visit to Washington in February, U.S. Trade Representative Robert Lighthizer and Australian Minister for Trade, Tourism […]
The 66th Annual ABA Section of the Antitrust Law Spring Meeting in Washington, D.C. — the largest competition and consumer […]
For all the focus on competition between and among Internet firms and other sectors of the U.S. economy, the greatest […]
The creation of a Digital Single Market (DSM) has rightly been set as a policy priority by European policymakers. But […]
The 60-Second Read: The essential facilities doctrine is a “mandatory access remedy” that imposes a duty on a monopolist firm […]
Once again, tales of the demise of the music industry appear to have been exaggerated. Revenue figures for recorded music […]